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Tickets

Individual tickets available from 28 October

Standard

$59-$119

Concession

$54-$114

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Available now as part of a Friday or Saturday Evening series

Dates

Friday 12 August 2022

7:30pm at Hamer Hall

Saturday 13 August 2022

7:30pm at Hamer Hall

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Featuring

Melbourne Symphony Orchestra
Jaime Martín conductor
With musicians from the Australian National Academy of Music (ANAM)

Program

Stravinsky The Firebird
Stravinsky Petrushka (1947)
Stravinsky The Rite of Spring

About this performance

Wicked magicians, unrequited love, and human sacrifice for a bountiful spring – these ballets have it all! The MSO travels through the music for three of Igor Stravinsky’s wildly successful collaborations with the bohemian Ballet Russes company.

  • Led by impresario Serge Diaghilev, the Ballet Russes were known for colourful artistic collaborations uniting the mediums of set, costume, movement and music. The Firebird was Stravinsky’s first commission with the company, based on a Russian fairy tale.
  • In the early stages of writing Petrushka, Stravinsky had a vision of a ‘puppet, suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggi.’ The vivid and intricate score follows the story of the sad clown puppet Petrushka, who comes to life and tries to win the affections of a ballerina puppet.
  • The Rite of Spring had a rocky premiere: the angular choreography and muffled acoustic of the theatre famously sparked a riot in the audience. However, subsequent performances cemented Stravinsky’s legendary status. The composer used the ballet as an opportunity to push his bold musical ideas even further – it is filled with exciting layered rhythms, rapidly shifting tempos, and discordant harmonies.

Duration: approx. 2 hours and 50 minutes including two intervals

COVIDSafe Information

The MSO and the venues in which we perform will operate under government health and safety guidelines in place at the time of the event. Information about protocols in place will be included in the pre-concert email sent to attendees a few days prior to the performance.

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